This Unilad video on Facebook by a young Canadian VFX artist gives us a great behind-the-scenes look at how he created four simple but effective illusions using compositing software, some of it free and open source.
This Unilad video on Facebook by a young Canadian VFX artist gives us a great behind-the-scenes look at how he created four simple but effective illusions using compositing software, some of it free and open source.
A new AI-driven service called Deep Nostalgia from online genealogy company MyHeritage and using technology licensed from Israeli firm D-ID can animates portrait photos to create passable but fairly creepy fake video clips. It uses pre-recorded driver videos of facial movements and applies the one that best suits the image being manipulated. Users upload a […]
The UK’s Department for International Trade and Department for Digital Culture, Media and Sport are together backing a new initiative aimed at creating national standards for job training in the fast-developing creative and technical field of virtual production. With government support, former DNEG joint MD Alex Hope will lead a steering committee to drive uptake […]
As demand grows for AI solutions that process images from cameras and other photo sensors, more efficient systems are needed. Like NVIDIA and others before it and drawing on its mobile technology developments, chip maker Qualcomm has unveiled an R&D project that reduces the compute power needed to handle visual AI, in turn reducing the […]
Researchers at the University of Trento, the Institut Polytechnique de Paris, and Snap, Inc. have devised an AI system that uses a framework they call Clustering for Action Decomposition and DiscoverY (CADDY) to learn a set of discrete actions from a large library of video clips that can be used to create new “playable” videos […]
The Midnight Sky (in UK cinemas now and from 23 December on UK Netflix), which the film’s director and star pitched to DoP Martin Ruhe as “The Revenant meets Gravity”, is a post-apocalyptic tale of isolation and survival. For interior and extravehicular scenes, the production made extensive use of the latest in virtual set technology. […]