For their regular directors DOM&NIC, production company Outsider, cinematographer Stephen Keith-Roach, production designer Chris Oddy, and Untold Studios, the concept of shooting the promo for the Chemical Brothers latest release Live Again on an LED stage was an entirely new experience. See more credits on LBB Online. “Working with the Chemical Brothers is always a […]
Pathway in Manchester recently shot a sequence using 65mm film – specifically Kodak VISION3 65mm 200T Colour Negative Film stock with an ARRIFLEX 765, as used on Gravity and Tenet, and ARRI Rental Vintage 765 lenses – on their virtual production stage. For this first-of-its-kind test, they worked closely with Kodak, Panavision, and Arri Rental […]
Below are the results of research carried out by Lisa McNamara of frame.io into the budgets, crew size and duration of both principal photography and post-production for each of the Best Picture nominees at the 2023 Academy Awards. Below that, we show the cameras and lenses used on the films nominated for Beat Picture and Best […]